WELL FINE.
(Just keep it in mind, though)
I quote someone far more knowledgable:
"You may find as you work up the contrast between sunlit, diffuse and dark areas of the image, a good tonal balance is difficult to achieve. As a guideline, try keeping the balance of roughly 60 percent of one, 25 percent of another, and 15 percent of another [...] you can mix and match these values as you wish."
Obviously don't stick to that religiously, but it works as a fairly good gauge, even if you're aiming to make something particularly dark or particularly bright.
I totally understand not wanting to rework it, though. Some people rework drawings and get awesome results, some people (yours truly!) can't often bring themselves to redo something that wasn't working how you wanted in the first place.
(Just keep it in mind, though)
I quote someone far more knowledgable:
"You may find as you work up the contrast between sunlit, diffuse and dark areas of the image, a good tonal balance is difficult to achieve. As a guideline, try keeping the balance of roughly 60 percent of one, 25 percent of another, and 15 percent of another [...] you can mix and match these values as you wish."
Obviously don't stick to that religiously, but it works as a fairly good gauge, even if you're aiming to make something particularly dark or particularly bright.
I totally understand not wanting to rework it, though. Some people rework drawings and get awesome results, some people (yours truly!) can't often bring themselves to redo something that wasn't working how you wanted in the first place.