10-16-2008, 10:41 PM
Much like the above posts...
The volume needs to be lowered.
It sounded like a squealing pig with the deeper screaming.
I find that with the screaming voice, it's usually better to have the music quiet ENOUGH to hear the voice.
That really give the voice more power, and allows the listener a chance to hear what the voice is saying.
Lyrics become that much more powerful that way.
As for the squealing bass noise, I think that it could use a hug.
It's nice for some of the part, gives it a sense of climax.
But since it's used all the time, it becomes that much less unattractive.
In order to play any sort of feeling over tot he listener, you need to lose the repitition and make it more unique and varying within the song.
At the point where you say "Are you scared?" the music quiets down a little.
I would go so far as to remove all semblance of an instrument for that one lyric, then jumping back in full force.
Just my 2 cents.
The volume needs to be lowered.
It sounded like a squealing pig with the deeper screaming.
I find that with the screaming voice, it's usually better to have the music quiet ENOUGH to hear the voice.
That really give the voice more power, and allows the listener a chance to hear what the voice is saying.
Lyrics become that much more powerful that way.
As for the squealing bass noise, I think that it could use a hug.
It's nice for some of the part, gives it a sense of climax.
But since it's used all the time, it becomes that much less unattractive.
In order to play any sort of feeling over tot he listener, you need to lose the repitition and make it more unique and varying within the song.
At the point where you say "Are you scared?" the music quiets down a little.
I would go so far as to remove all semblance of an instrument for that one lyric, then jumping back in full force.
Just my 2 cents.